Postcards overlap memories of a kind of communication that is quickly disappearing; nevertheless, they are also tokens of a past where this exchange of words and images was quite a common practice. 

This bond of proximity between relatives and friends can still show us a different way of thinking about distance, about sharing a sense of longing, and the experience of absence.

By using the precision of laser cutting, the intervention made on the document is now automatic, and cutting around/across it becomes a way to explore the three-dimensional object, since this process conducts a series of interferences on both sides of the postcard.

PALAVRA ARQUIVADA/archived word is taking on new routes in questioning legibility itself, creating a vantage point between the recognizable, the identifiable, abstraction, and the frailty of these objects.